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Deleuze, Adorno a kompozice hudební multiplicity

Nick Nesbitt (Princeton University)

Contradictions: A Journal for Critical Thought II, no. 1 (2018): 55–75

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Keywords: Gilles Deleuze, Theodor W. Adorno, philosophy of music, multiplicity, John Coltrane

This text, first published in Deleuze and Music, edited by Ian Buchanan and Marcel Swiboda (Edinburgh: Edinburgh University Press, 2004), pp. 54–74, Nick Nesbitt compares Theodor W. Adorno’s negative dialectical approach with Gilles Deleuze’s anti-dialectical approach to the question of multiplicity and differentiation within music. Nesbitt concludes with a consideration of the attempts made to address the problem in the work of important twentieth-century musicians, particularly that of John Coltrane. The Czech translation here is by Marta Martinová and Michal Jurza.

doi: 10.46957/con.2018.1.4

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